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    第五元素

    惊喜,还是惊吓?_我的网站

    白鹭

    一 |     

    Visitors view ancient documents at Tianyige Museum. Photo: Courtesy of Tianyige Museum
        Visitors view ancient documents at Tianyige Museum. Photo: Courtesy of Tianyige Museum
    Huang Gang is in his fifties. Every day, he sits before a computer screen at Tianyige Museum (Tianyige), flipping through ancient books - digitally.
    As director of the information technology department at Tianyige Museum in Ningbo, East China's Zhejiang Province, home to Asia's oldest surviving private library and one of the world's three oldest remaining family-run libraries, his job title may seem far removed from old books. Yet his work centers on them: converting brittle, thread-bound antique volumes into searchable, zoomable digital files accessible on screen.
    For years, Tianyige has carried out digitization in batches guided by its mission: rescue-oriented preservation, scholarly organization and public-oriented outreach. Its teams have scanned more than 3.4 million pages of ancient texts. The institution rolled out its Ancient‑Book Digital Service Platform back in 2009. By 2025, the platform had drawn over 4.6 million total visits.
    To outsiders, this might look like a headlong rush into digitization. For Huang and his colleagues, it is delicate work balanced between fast‑evolving artificial intelligence models and the reverence owed to fragile paper relics. "Technology is a tool, ancient books are artifacts, and reading is the ultimate purpose," Huang told the Global Times.
    Huang Gang, director of the information technology department of Tianyige Museum, works on the digitization of ancient books. Photo: Courtesy of Tianyige Museum
        Huang Gang, director of the information technology department of Tianyige Museum, works on the digitization of ancient books. Photo: Courtesy of Tianyige Museum
    Beyond tech boundaries
    Deep in the storage vaults of Tianyige, tens of thousands of ancient volumes rest in silence. Some pages are curled and fragile; others bear faded script -the accumulated marks of centuries. Vulnerable to aging, wear and external damage, these precious paper relics can hardly sustain long-term repeated manual consultation, making digital preservation an indispensable way to inherit ancient book resources. 
    Huang's daily work involves leading his team in the digitization of the library's entire collection of ancient books, paintings and cultural relics, bringing rare treasures out of the shadows and into public view.
    AI now serves as a core auxiliary tool for ancient-book digitization and research. Huang's group initially built character-recognition frameworks based on optical-character-recognition technology. By cross-checking outputs across different models, ancient Chinese characters, damaged script and blurry handwriting.
    According to Zhejiang Daily, by August 2025, the Tianyige's digital platform had added over 3,700 new digitized book sets, lifting its total digital holdings past 20,000 volumes. 
    Digitization is never  a purely technical exercise;  in-depth scholarly expertise in ancient texts remains indispensable. Huang frequently collaborates with Zhao Xuteng, a museum librarian specializing in classical literature. Zhao is responsible for selecting which volumes to digitize, evaluating editions, studying content, and identifying works of significant academic or public value. While one team focuses on the technical execution, another digs deep into the textual substance, ensuring that cold digital capture remains faithful to the historical and bibliographic logic of the originals.
    A staff member of Tianyige Museum view digital resources of ancient documens in the museum's ancient?book reading room, on August 18, 2026. Photo: Lin Xiaoyi/GT
        A staff member of Tianyige Museum view digital resources of ancient documents in the museum's ancient book reading room, on August 18, 2026. Photo: Lin Xiaoyi/GT
    Staying true to  reading
    When he is not writing code, Huang keeps asking one fundamental question: What should technology actually do for people? "All technology ultimately serves the act of reading itself," he said. "It can never replace that."
    With the rapid rise of large language models, demand for high-quality text corpora has surged. Overseas, some AI companies have reportedly purchased millions of printed books in bulk, scanned them and then shredded the originals. 
    "Machines can efficiently compile documents, retrieve sources and generate explanatory notes. Real engagement with ancient texts, however, is far more than mechanical assembly of characters," Huang noted.
    Both Huang and Zhao stressed that human beings sit at the heart of cultural inheritance. People absorb wisdom from old texts, draw on personal experience and scholarship to reflect, and produce new knowledge - an intellectual process no AI can fully replicate.
    The Global Times learned that every digitization workflow at Tianyige follows strict closed-loop protocols: collection checkout logging, noncontact scanning, AI-powered quality checks, precise image stitching and compliant online publication. The full procedure minimizes physical wear on original artifacts.
    "A book is, first and foremost, a cultural relic that carries a thousand-year legacy," Huang said. "Only secondarily is it a text to be read." That principle, he added, is shared by all guardians at Tianyige.
    "Media change, technologies evolve, but the essence of reading has never changed," he stressed.
    Today, drawing on its comprehensive digital collections, Tianyige hosts monthly exhibitions of rare texts and organizes family reading events where parents and children explore the classics together. For Huang and his colleagues, the most gratifying reward is watching more and more ordinary people develop a love for ancient reading and a deeper appreciation for the traditional Chinese culture.
    In an era swept by artificial intelligence, Tianyige's guardians tend to fragile paper relics while leveraging modern technology, preserving the genuine power of reading. More than 450 years of scholarly heritage flows onward, passing between human fingertips and glowing digital screens.
    。    
    近日,在澳大利亚布里斯班音乐节上,一架F/A-18“超级大黄蜂”战斗机开着加力从城市中间呼啸而过。在长焦镜头的压缩下,这一画面变得尤为紧张刺激。战斗机在城市中间飞行并不少见。在一些国家的节日庆典上,主办方常常邀请空军进行低空飞行和空中展示,借此将节日气氛推向高潮。这样的表演通常在空旷的场地上空进行,而布里斯班市的这次表演显然更为大胆、刺激。当F/A-18“超级大黄蜂”战斗机庞大的机体从城市楼宇间以极高的速度低空飞过时,巨大的轰鸣声和极快的速度给观看者留下强烈的感官体验。也有人被这样的场景惊吓到。美国一些民众认为这一幕很像“9·11”,隔空喊话澳大利亚民众“不要这么玩了”。显然,“布里斯班的澳大利亚皇家空军空中飞行表演画面吓坏美国观众。”澳大利亚媒体如此报道。美国空军飞行员还向民众“保证”:“这种‘场面’在美国永远不会发生。”有趣的是,邀请战斗机在节日庆典上表演的“始作俑者”,正是美国人。美国“雷鸟”飞行表演队穿越弗吉尼亚市的地标性建筑金门大桥的画面常常被美国空军对外展示,F-35战斗机的身影也不时出现在城市上空。

    二 | 事实上,在空旷的水域上空或城市上空进行飞行表演,其技术难度对于现代战机来说几乎为零。

    三 | F/A-18“超级大黄蜂”战斗机在楼宇间的飞行照引爆人们的眼球,展现出娴熟的飞行技巧和较强的技战术性能。实际上,该机作为一款舰载机,具备良好的低空、低速性能以及较强的机动性,如此才能在狭窄的水泥丛林中飞行自如。否则,一不小心将会是机毁人亡的不堪结局。

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    Published on:03:43:55


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